January (2018) in Writing… Tax & ‘The Darkwood Mysteries (17): The Slaves of the Underground’…

BEHIND THE WRITING DESK_optMy January in writing started with a tax return. What fun. As my writing can only be considered a hobby considering my low earnings, I’m hopeful I will only have the 2017/2018 return to do before taking advantage of new tax rules allowing for a minimum of a £1000 additional earnings before the need for a separate taxation process beyond main earnings. Of course, I would like for my writing to earn me more than a £1000 and for that to by my main source of income… (I earned £320 last year, and while I know that will not pay any bills, that’s supported my board game habit, and I’m chuffed at earning anything from tapping away at my keyboard!)

January also saw me doing some writing too. With one wholly new project finished in ‘The Darkwood Mysteries (13): The Ghosts of the Black Museum’, I set about planning the next three. One of them proved to come more readily into my head than the others, so to avoid brain ache I just went with that one. The other two can get more head time to cook up into something easier to get into the keys. I opted for ‘The Darkwood Mysteries (17): The Slaves of the Underground’. It will be the penultimate of the next run in my series, but it will still pack a punch. It will see Darkwood and Hobbs separated under sad circumstances, and then reunited in desperate circumstances. The next run doesn’t let up on the bashing of Darkwood and Hobss. I’m a mean writer daddy. There will be a return of an old friend, an old enemy, a return monster, and a newly visited ancient Cthulhu style city. Read on for an extract after the jump…

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Darkwood & the 7 Point Plot Structure… Reflecting on September (2017)…

BEHIND THE WRITING DESK_optWhen it comes to writing, I’m a plotter. Actually, when it comes to most things I’m a plotter. I can’t understand how people write on the fly. How do you know where you’re going? I’ve always been a thinky person. Outside of writing I’m pretty sure I overthink, but behind the writing desk, there’s no such thing as overthinking. Thinking, for me, is the most time I spend on writing. I usually have a strong idea of what I want to happen in the story, and I build on it and build on it, while I’m waiting for the kettle to boil, riding out a journey, half-watching something on the box, sometimes while talking to people (don’t tell people). Most of my writing happens in my head. All these ideas and beats are then gathered up and put in some order when I get some desk time.

When I sit down to put all these thoughts in order, my story structure is usually quite basic–establish the conflicts; work to a prologue, beginning, middle, end, epilogue; and ensuring characters progress or are in some way changed by the story. Then plot out each individual scene. I also write character bios and descriptions to refer to in the hope I won’t have sudden height changes, or changing eye colours! A while back though, at a convention, I heard some Star Trek writers talking about the 7 point story structure, and it struck me as being a much better framework to hang my plot on. It consists of a hook, 1st plot point, 1st pinch point, mid-point, 2nd plot point, 2nd pinch point, and conclusion. It doesn’t just apply to the whole overarching plot, but can apply to all the plot threads, and as many of the characters as you like that wind together to make the story whole.

 

1 Hook: the baited hook to keep the reader reading. Give incentive to read on. Make a thought-provoking statement. Pose an interesting question. Make a funny relatable comment.

See more, after the jump! (See what I did there?) 🙂 *hook*

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