November in Writing: The First Draft of ‘The Darkwood Mysteries (9): The Rat King’…

BEHIND THE WRITING DESK_optThe first draft of ‘The Rat King’ is done. It needs some work, and will definitely need a polish, but I’m happy with the result. It has a real ‘X-Files’ monster of the week vibe to me, and writing the next run of ‘The Darkwood Mysteries’, it was nice to write something where I didn’t have to think too hard on its place in the Darkwood world–which has been an added trial in writing those next tales. The experience of writing this Victorian period story was sharpened by reading the fantastic book ‘Voices from Dickens’ London’ by Michael Paterson. I picked it up from a bargain book shop ages ago, and realised the other day I hadn’t read it. It’s not quite the setting for Darkwood and Hobbs as it’s largely early to mid Victorian, whereas my stories are late Victorian, but it uses writing from the time to paint a picture of Victorian London–and not the sanitised Christmas card Victorian London either, very much a warts and all Victorian London, which I love.

The blurb tease for ‘The Rat King’ is:

Death by rat? Darkwood suspects foul play in the death of charity members. But can rats really be the cause? And if they are, who, or what, is driving them–and why?

I have had a pop at doing the cover–and it looks awful, so I’m not sharing that here just yet. It needs work. It actually needs me to be an artist, or to have a budget for paying for a professional cover artist. Neither of those are likely to happen, so I will have to see what I come up with and hope people truly don’t judge a book by its cover.

As for the writing though, if you want a sneak peak of the beginning of the first draft, then read on…

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October in Writing: Writing a Series…

BEHIND THE WRITING DESK_optThe stand-alone serial nature of ‘The Darkwood Mysteries’ has given me the platform to get a lot of story ideas to the page, jumping around the Victorian era and the lives of Darkwood and Hobbs. However, as certain events have taken place I have had to put together a time-line to avoid having continuity issues. Deep into writing the second run I have come across another issue which I haven’t had to worry about before–balancing the elements which make up ‘The Darkwood Mysteries’.

The first run was essentially a ‘mystery of the week’ style format, and easily introduced Darkwood’s aunt and uncle, the long-suffering reluctant ally and eventual friend of Darkwood and Hobbs, Inspector Duggan. The series ending with the introduction of the first story arc element in ‘The Conspiracies of Shadow and Fire’, which served as a prequel and continuation of the series, and established the two main players vying for Darkwood’s guide stone–the Shadows and the Hellfire Club, and one of its villainous members, Lord Balmoral.

In my head, Darkwood and Hobbs have more friends and allies, and they need time to appear and become established as reoccurring characters. There are also returning villains, and not to forget the ‘deeper mystery’ of what happened to Darkwood’s parents, and the history of the guide stone. Plus there are certain character and relationship developing events for and between Darkwood and Hobbs. All of these has required some placement or element of story arcs within the stories I have planned. This has also started to dictate the stories I want and need to write.

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