The Freedoms & Limitations of Writing Historical Horror…

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One of the joys of writing historical fiction with my Victorian horror and adventure series, ‘The Darkwood Mysteries’, is being released from some of the limitations that modern technology can place on crime writing–it’s hard planning crimes when science and DNA can do so much of the detective work! Also, the limitations of modern communication for creating tension is no longer an issue–my characters can’t suddenly pass on information to each other, and can’t call for help so easily. It frees me up from convoluted ways of disconnecting my characters in the increasingly connected world of modern horror fiction.

It can have it’s issues though, one is being mindful of what doesn’t exist yet… And as I have found in my latest project–long distance communication. My story is an origin story of sorts, set in 1851–about 25 years earlier than normal for the series, and sees Darkwood’s parents separated through her father, Edward, being in India steering the family teasing business and her mother, Anne, left to run the Darkwood estates. Communication through letter would take weeks each way, creating a big disconnect between their back and forth–which has been a problem for me as both will experience shared events through Anne coming into possession of the guide stone which is so important to the series.

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‘The Darkwood Mysteries: The Rise of the Dragon’ & ‘The Gathering of Shadow & Fire’…

WebsiteWUI’m entering the last writing sessions for ‘The Darkwood Mysteries (16): The Rise of the Dragon’. It’s all been going smoothly. The joys of being a plotter! I have each character figured out, and each chapter planned out, and pretty much each week I manage to get through a chapter in a writing session.

The writing regime of a minimum of 3000 words a week is pretty easy to hit. I get up at 6:00, and I’m normally at the keyboard by 06:30, and I’m often at the 2000 word stage by 08:00. Some of my writing time is revisiting the last section from the week before and tweaking it for anything stand-out bad. I tend to be done by about 11:30 and then it’s lunch and whatever I want to do for the rest of the day.

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Darkwood & Hobbs Live! & Plots Within Plots… Reflecting on November and December (2017)…

BEHIND THE WRITING DESK_optAfter a long break from writing, 2017 saw me get back on the swivel chair at the desk and take some tentative taps at the keyboard as I eased my head back into writing. I won’t lie, the enthusiasm was hard to come by. Not writers block as such, but a big dose of ‘what’s the point’. Sales have flat-lined, and I was returning to write the next run of ‘The Darkwood Mysteries’ short stories, which, when I did have regular sales, was never a strong seller. But, they were the ones I have had the most fun writing, and being short they seemed a good place to start this writing thing again. I was kind to myself and finished a project first, but then came the blank page under the opening of the next project, ‘The Darkwood Mysteries (13): The Ghosts of the Black Museum’…

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